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- The Petrified Forest
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-
- (January 14, 1935)
-
- In The Petrified Forest, Playwright Robert Sherwood has
- magnificently presented one tumultuous afternoon and evening in
- a roadside service station in the far West. Apparently just as
- much at home in the Black Mesa Bar-B-Q as he was in Hannibal's
- tent (The Toad to Tome) or post-War Austria (Reunion in Vienna),
- Playwright Sherwood has given a humorous and dramatic
- three-dimensional panorama of the hamburg and gas-peddling
- Maples, their young, ex-fullback helper, the rich and
- insufferable Chisholms who drive up in their Duesenberg
- limousine. Things really begin to hum when Duke Mantee's mob
- arrives at the front end of a nation-wide man-hunt.
-
- Humblest passer-by is Alan Squier (Leslie Howard, taking
- temporary leave of cinema to keep from "going stale"). A young
- intellectual tired of it all, he makes complete arrangements
- with Duke Mantee to "put the slug on him" so that the Maples'
- daughter Gabrielle (pert Peggy Conklin of The Pursuit of
- Happiness) can collect his insurance and go to France.
-
- The final scene, with lights out and the Mantee gang
- exchanging gunfire with the deputies outside while Alan and
- Gabrielle lie on the floor with their arms around each other,
- should raise audiences' hackles higher than anything on the
- Manhattan stage since the Group Theatre began producing its
- blood-&-thunder Red melodramas. Spectators get to hoping
- desperately that in the general gun-play, Duke Mantee (able
- Humphrey Bogart in a stubble beard) will somehow "forget to
- shoot Actor Howard, who has turned in another of his fragile,
- impressively assured impersonations to adorn a notable career.
- But everyone must know his jig is up when he tells Actress
- Conklin: " We'll be together always -- in a funny sort of way."
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